WebABSTRACT. This chapter considers perhaps the most ubiquitous and therefore invisible of material objects: a box with things in it in the reserve collections of a museum. It explores how, by enclosing specific photographs in conjunction with one another, materiality becomes integral to the meanings of images. We hope to demonstrate how, through ... WebThe Department of Photographs was established in 1984 with the acquisition of several of the most important private collections in the world, including those of Bruno Bischofberger, Arnold Crane, Volker Kahmen/Georg Heusch, and Samuel Wagstaff, Jr. Through a continuing program of acquisitions by purchase and donation, the Getty Museum has ...
Using Photographs As Historical Evidence - Knoji
WebPhotographs Objects Histories On the Materiality of Images. Elizabeth Edwards & Janice Hart. $46.99; ... The book's contributions are drawn from disciplines including the history of photography, visual anthropology and art history, with case studies from a range of countries such as the Netherlands, North America, Australia, Japan, Romania and ... WebAll Editions of Photographs Objects Histories: On the Materiality of Images . 2004, Trade paperback. ISBN-13: 9780415254427. 2004, Hardcover. ISBN-13: 9780415254410. Books by Elizabeth Edwards . Anthropology and Photography, 1860-1920 Starting at $37.88. Raw Histories: Photographs, Anthropology and Museums how can plagiarism happen unintentionally
The photo archive as laboratory. Art history, photography, and …
WebJun 1, 2004 · The chapter also provides brief commentaries on methods and sources, and places the work in the context of recent and persistent themes in the history of … WebFor discussions of photographs as objects that materialize memories and histories, see Elizabeth Edwards, “Photographs as Objects of Memory,” in Material Memories, ed. … WebPhotographs Objects Histories: On the Materiality of Images, edited by Elizabeth Edwards and Janice Hart, continues this trajectory by extending meaning explicitly to photographs' materiality. The book's premise, as Edwards puts it in the useful and wide-ranging introduction, is to treat photographs not only as two-dimensional images but also ... how can plagiarism be prevented